![]() This results in a nightmare in post production when I try to cut from one camera to another. They’re all great cameras but unfortunately they all produce a slightly different image. New problem I found now is whenever I work with my URSA Mini Pro but I also throw in the mix as B cameras the older URSA Mini 4.6K and the brand new Blackmagic Pocket Cinema Camera 4K. ![]() Along with some fixes in the shadows to keep the noise levels down. This new version fixes a few issues I found specially with really saturated cyan colors that used to brake down with my first generation LUT. It has been 3 years and since then I have created several more versions of my LUT. That is why I created my custom LUT that I used both in the camera but also as a starting point in post production grading. I found it simply doesn’t show if I am in fact blowing out the highlights or crashing the blacks too much. This is specially annoying when using a LUT in one of the Blackmagic cameras for proper viewing so you can pull focus and judge the exposure. ![]() The LUTs that Blackmagic provides are too contrast and they lose all the details in the highlights and shadows. If you’re a Blackmagic Design camera shooter and you are also using the Blackmagic LUTs for converting the LOG footage into proper video then you probably ran into the same problem as I have. This new version is improved in many ways. I have been busy updating my custom URSA Mini LUT that I first posted online in 2016 after using it on a Bollywood feature film I shot that same year. ![]()
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